Real artists who are
obsessed with teaching.

I'm obsessed.

Completely, hopelessly obsessed with making music on a computer and teaching what I've learned along the way.

Before I ever remixed Beyoncé, Tove Lo, and Nick Jonas, or took first place in Kaskade's Human + Machine songwriting contest, I was a cubicle-slaving 9-to-5er whose music sucked. No amount of passion changed one truth:

Making professional-quality electronic music is really, really hard.

My first productions sounded terrible. Most people don't get past that phase. They get frustrated and quit.

It took almost a decade of blood, sweat, and tears, but eventually the music caught up with the ambition. Today I've worked as a producer, remixer, or engineer for Universal, Sony, Island Records, Virgin-EMI, and Ultra. I've remixed Beyoncé, Nick Jonas, Tove Lo, and The Neon Trees.

With that experience, I couldn't believe how much misguided production knowledge was out there. I started Hyperbits for one reason: cut through the noise and share what actually works.

Then something unexpected happened. I connected with hungry, dedicated producers. Watching them land releases, hit milestones they never thought possible, that became the thing I cared about most.

My parents are teachers. My sister is a teacher. My grandmother was a teacher. It's in my blood. Teaching music production is what I was meant to do.

It doesn't matter if I'm remixing Beyoncé or working with you. The fundamentals are the same.

That's what we're here to share.

Happy producing,
Serik (Hyperbits)