Jump to a section13
- Why Use an SSL Compressor?
- 1UAD SSL 4000 E Channel
- 2Waves SSL E Channel and G Channel
- 3Waves SSL G-Master Buss Compressor
- 4PSP Buspressor
- 5Brainworx bx_console 4000 E and bx_console 4000 G
- 6Solid State Logic XL 9000 K-Series
- 7Cytomic The Glue
- 8Slate Virtual Buss Compressor
- 9Acustica Audio Sand3
- 10Native Instruments Solid Bus Comp
- 11SSL Native Bus Compressor
- Our Pick for the Best SSL Compressor
For most producers, the Waves SSL E Channel is the SSL compressor to start with. It was developed under license from SSL and comes with presets by Chris Lord-Alge. If you want the most faithful SSL sound, get the Brainworx bx_console 4000 E.
Quick picks
| Name | Best for |
|---|---|
| UAD SSL 4000 E Channel | UAD interface owners who want the full channel strip |
| Waves SSL E Channel and G Channel | First-time SSL buyers |
| Brainworx bx_console 4000 E and 4000 G | The most faithful SSL sound |
| Cytomic The Glue | Dance music with a low CPU load |
| Slate Virtual Buss Compressor | Three compressors for a monthly price |
| Acustica Audio Sand3 | Classic SSL sound with room to flex across mixes |
| Native Instruments Solid Bus Comp | The simplest mix bus glue |
| SSL Native Bus Compressor | SSL’s own master bus compressor |
Few pieces of hardware rival the SSL compressor. Solid State Logic desks, introduced in 1977, became staples for their power, warmth, clarity, and workflow. Some of music’s most iconic records were made on SSL consoles.
Two types dominated: the E-series (1979, SSL’s first commercial success) and the G-series (improved EQ). The E-series innovated by putting a dedicated compressor on every channel plus the master bus. Today we have excellent SSL emulation plugins. This article covers the best ones.
Why Use an SSL Compressor?
Plain and simple: an SSL compressor is an instrument that does far more than tame dynamics. It glues sounds together while adding punch and size. It adds attitude to vocals, expression to synths, and presence to the mix bus.
It’s not for every element, but on critical tracks or the master bus, it makes everything sound expensive. There are many SSL plugins available, but they’re not all equal. Here are our eleven favorites, with our top pick at the end.
If you want a quick primer on compression before diving in, this one’s worth a couple of minutes of your time.
Now, on to the list.
1. UAD SSL 4000 E Channel

Price: $299
UAD SSL 4000 E Channel is an SSL channel strip, meaning you also get a suite of EQ options and an expander in addition to the famed compressor. Aside from the fact that the plugin sounds great, we love that UAD plugins don’t tax our CPU load, which, unfortunately, many other plugins on this list do. That said, this is an expensive plugin (mainly because you need a UAD interface to run it), so it isn’t our top pick for first-time buyers.
Why it made the list: UAD makes some of the best plugins in music production. This is no exception, although the cost is a turnoff.
2. Waves SSL E Channel and G Channel

Price: $59
The Waves SSL E Channel and G Channel plugins offer the same compressor, so no need to pick up both unless you’re looking for different EQ options. These plugins were developed under license from SSL and are faithful remodelings of the original consoles.
Plus, Grammy-winning mix engineer Chris Lord-Alge made the presets for this plugin so that first-time users will be off to the SSL races in no time. Why it made the list: A great plugin at an extremely reasonable price for the quality you’re getting. An easy choice.
Pro Tip: If you’re new to SSL compression, start with the Waves SSL E Channel and load one of Chris Lord-Alge’s presets. Dial the ratio back to 2:1 or 4:1 and use just 2-3dB of gain reduction on your mix bus. It’s a fast way to hear what SSL glue actually sounds like before you start tweaking.
3. Waves SSL G-Master Buss Compressor

Price: $149 list, routinely around $30 on a Waves sale
Waves SSL G-Master Buss Compressor is the box people mean when they say “the SSL compressor.” It models the VCA bus compressor from the centre section of the 4000 G console, the unit that sat across the master on a staggering number of records. Entry #2 above is the channel strip, a different product with a different compressor inside it. This is the master bus unit on its own.
You get the original’s fixed ratios of 2:1, 4:1 and 10:1 and its stepped attack and release settings, plus an Auto release. Waves also added three controls the hardware never had: a sidechain high-pass filter, a dry/wet Mix knob and an Analog noise amount. The first two matter more than they sound. Filter the sidechain so the kick stops triggering the compressor, pull the Mix back a little, and you can glue a full mix without the low end pumping everything above it.
Why it made the list: this is the canonical version of the thing the article is named after, and at around $30 on sale it is the least expensive way to own it. It is also narrow. One colour of VCA compression, excellent on a bus and not much use anywhere else, in a small interface that predates Waves’ current UI generation and gets cramped on a high-resolution display.
4. PSP Buspressor

Price: $99
The PSP Buspressor is a little bit of a wild card. It’s not meant to be an exact SSL emulation, but rather it strives to make the best of what an SSL has to offer and provide a different UI with additional features. The result? A pretty good sounding compressor for a mix bus, but not an authentic SSL sound.
This plugin is a good one to have in your library and is an excellent complement to another SSL plugin, but it won’t replace the need for a proper SSL emulation. Why it made the list: An excellent compressor for your mix bus with some fancy features (like parallel compression) that many of the other plugins on this list don’t have.
5. Brainworx bx_console 4000 E and bx_console 4000 G

Price: $349, but keep an eye out for deals
Brainworx bx_console 4000 E and bx_console 4000 G are pretty damn pricey, no doubt about that. Fortunately, Plugin Alliance offers sales, so you can occasionally pick these up for under $100. But the most important question is simple: are these plugins worth the hefty price tag?
We weren’t sold originally, but our answer now is a resounding YES. Brainworx teamed up with the SSL folks to produce arguably the most faithful plugin version of the beloved SSL desks, with lifelike compression and the aid of adjustable harmonic distortion. Why it made the list: This plugin is as good as any out there. If you see it on sale, it’s worth picking up even if you have other plugins on this list.
6. Solid State Logic XL 9000 K-Series

Price: $299
Softube’s exclusive 9000 K-Series is a unique SSL not modeled off the E-Series or G-Series. The K-series, which was developed by SSL later on, was known for clarity and precision and is excellent for everything from audiophile jazz and acoustic recordings to hip hop and R&B.
As far as the compressor goes, you can switch between peak and RMS signal detection, opening up a host of sonic possibilities. Unfortunately, the biggest drawback to the 9000 K-Series is that you need Softube Console 1 to run it. Why it made the list: This plugin can do it all. From a super clean and clear sound to variable amounts of distortion, this can be a one-stop-shop SSL option for Console 1 owners.
7. Cytomic The Glue

Price: $99
Cytomic’s The Glue became somewhat of a novelty plugin when every golden-age-of-EDM producer featured it in their YouTube tutorials (Deadmau5, Hardwell, and Knife Party, to name a few). We can say The Glue is a very good SSL-style compressor. Is it the absolute best out there?
Probably not. Is it a faithful recreation of the original consoles? No.
But it does pack a punch and life that the original compressors were known for while offering some fun additional features (like onboard parallel compression) and a low CPU load. Why it made the list: A classic plugin for dance music production at an affordable price with convenient features. If it’s good enough for some of the biggest producers in the world, it’s good enough for us.
8. Slate Virtual Buss Compressor

Price: $19.99/month with Slate Complete Access, or $199.99 annually
Slate’s Virtual Buss Compressor comprises three compressors, including an SSL emulation (the FG-Grey). Slate’s version of the SSL compressor isn’t an accurate emulation of the original. The goal was to give it the punch and drive of the actual unit while offering a more robust low and mid-range under high amounts of compression.
We’re big fans of Slate Digital, and this plugin is no exception. Why it made the list: Exceptional value. The SSL emulation is excellent, plus you get two other unique compressors for a reasonable monthly price.
9. Acustica Audio Sand3

Price: $199
Acustica Audio Sand3 is the ultimate pack of SSL plugins. It features a fully replicated channel strip, plus three EQ modules, a compressor inspired by three different SSL units, and a preamp module, for a total of six plugins. Expensive? Yes, but the value is there.
We love Sand3 for its sleek UI and the remarkable versatility it provides while still staying true to the classic SSL. Why it made the list: Some plugins go for a strict SSL sound, others branch off and offer more versatility. Sand3 does both, offering the classic SSL sounds while providing enough flexibility for a variety of mix situations.
10. Native Instruments Solid Bus Comp

Price: $99 (as part of NI’s Solid Mix Series)
Native Instruments Solid Bus Comp is a tried and tested classic. This plugin is all about the glue on a mix bus or master bus. Of all the plugins on this list, this is probably the most simple and straightforward to use. An incredibly slick and clean interface, with massive results.
The Solid Bus Comp falls into the category of plugins that take inspiration from the SSL and add in some additional helpful features, like wet/dry control for parallel compression and an easy to use sidechain option. Why it made the list: Simple, straightforward, easy to use, and significant results. This isn’t the most faithful SSL recreation, but it’s an excellent option for those looking for a streamlined version of the SSL sound.
Pro Tip: On a mix bus, try setting your attack to around 30ms and release to auto. This lets transients breathe through before the compressor clamps down, which keeps drums punchy while the SSL glue does its job on the rest of the mix.
11. SSL Native Bus Compressor

Price: $329
SSL Native Bus Compressor, it would be a crime to write this article and not include Solid State Logic’s own plugin on the list. Designed by SSL’s engineers themselves, this plugin is a recreation of the master bus compressor on the beloved SSL consoles. SSL describes this plugin the best: “complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity.”
Sound good to you? If you can stomach the big price tag, this plugin is an absolute winner. Why it made the list: If you’re looking for the SSL sound, look no further than the plugin with the stamp of approval from SSL.
Our Pick for the Best SSL Compressor
All of these plugins do a great job of adding size and punch to your mix in their own way. It’s important to ask what it is you’re looking for before you buy any of them: Do you want something as close to the original SSL desk as possible? Do you want to depart from the original interface for something a little more user friendly? Do you want to add on additional helpful controls, like a parallel compression option?
If you want one answer: start with the Waves SSL E Channel. It’s the cheapest way into the SSL sound, and the Chris Lord-Alge presets get you there fast. When you want the most faithful SSL sound, move up to the Brainworx bx_console 4000 E.
The SSL compressor has been all over the most influential music of the last decades, and with all these fantastic software emulations, it will continue to be used for decades to come.
But grabbing the correct compressor is only half of the battle. You also need to know how to use it. We dig deep into SSL compressors and other forms of dynamic control in the Hyperbits Masterclass. Instructors are on hand for current students and alumni alike to answer any questions surrounding these powerful compressors.
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